I'm Just Doing Reality TV To Get Into Features

by STEVE ZORROW, REALITY TV EDITOR

I can't fucking stand reality TV. But it's cool because I'm just doing this to get into features.

I can be realistic. You don't just walk out of USC film school and onto the set of a feature. Unless you're that asshole John Chu. God I hate that lucky fucking prick. But that sort of thing isn't about talent, it's just hype.

Anyway, the rest of us obviously have to get jobs to pay the bills before we get our big break. Personally, I think it's better to get some life experience before you start directing features. I wouldn't want to be Jon Chu even if someone did offer me a chance to direct right out of school. I would rather be working in reality TV than directing fucking Step Up 2: The Streets. I mean seriously, what kind of life experience does that guy bring to his films when he went right from school to directing?

Whatever, that's not the point. The point is that most people end up getting some lame job doing script coverage or even selling insurance or something while they try to "make it". But I decided to do something that will actually benefit me when I'm directing major feature films. Editing reality TV.

I know a lot of people like to act like reality isn't "real" storytelling, but the reality is that it's actually a lot harder to be an editor for reality TV than anything else (including features). As an editor, I'm basically creating the story from scratch. I can make it seem like anything I want is happening. I'm shaping the story, just like a feature director.

To be honest, I just feel sorry for some of the people that I work with because they're going to be stuck doing this for the rest of their lives. I, on the other hand, am just going to do this for another year or so to make some money to do my short film, and then I am out of here. See ya later suckers!!!

I was originally going to do my short this summer, but with my new BMW and condo, money has been a little tight. The new plan is to just edit until April of next year (June or July max) and then do my short film. The only thing I really have left to do is write the script. It's just hard to find the time to write right now because I'm really busy editing this show about people competing to be the best dog groomer in America.

Anyway, I guess I should just try and appreciate what it's like to still have a somewhat normal life while I have it. Once I start directing features next year, everything's going to get a whole lot crazier, that's for sure. I need to enjoy hanging out with my friends while I've still got the time!

You know, I really should work on that script tonight. And I have to string out the sizzle reel for the show I'm pitching about America's best guitar maker. And start prepping a Comedy Central show I'm working on that makes fun of reality shows. But first I need to finish cutting this challenge with the dog psychic.

Sometimes I'm amazed by how many irons I have in the fire at once. I'd like to see Jon Chu be able to do that.

It's perfect, we just have a few thoughts

by RALPH DIXON, REALITY SHOW/NETWORK EXEC

***108 Locked Cut Notes***

Great work on the Locked Cut. We really think all of the changes that we talked about helped solidify this episode. Thanks for doing such a great job with all our notes. It's perfect.

A few thoughts...

Overall, we're now worried that the story is a little depressing. I showed my wife the cut last night and she said she felt sad for the guy because he's in a wheelchair. I know we originally talked about the wheelchair angle, but now thinking it might be too much of a downer. Any way to cut around it? (we still have the black guy episode so we're covered from a diversity standpoint) Maybe closeups or low angle shots. Take a look. (we can still play him as paralyzed later obviously, I think it's just the wheelchair itself that's such a bummer to see)

Also, any way to mine for better comedy moments? Thinking maybe a laugh here or there would really go a long way. Go back and take another look at the raw footage and see if there's anything we're missing. While you're looking, just keep an eye out for any other great moments we might have missed in general. We always like as many great moments as possible!!!

About 8 minutes in Tim says "I can't wait to show it to you guys." Doesn't seem like something he'd say. Does he ever say "ya'll"? Would be nice to give it more southern flavor -- really play the cowboy angle -- since he lives in Texas.

Also I know we asked for more country flavor with the music, but personally country music just kills me and I now HATE the music in this episode. Any way to still give it a country feel without using actual country music?

BTW, had a marketing meeting this morning and feeling on our end is that Joe Sixpack in Kansas might react negatively to the fact that Tim is divorced with kids. Any way to cheat his new girlfiend as his wife? Maybe you can frankenbite something and just lower-third her as his wife. She doesn't have to be in there a lot, but just enough so we get that he's a family guy.

Love the new build up to the skydiving, but any way to amp the danger up a bit more? The safety briefing scene almost makes it seem too squared away. Does anyone ever mention how a parachute hasn't opened before or how he has a greater risk of dying because of being paralyzed? Obviously we don't want him to get hurt in the end, but always nice to add a sense of risk. If we don't have that, can we just ADR it?

Our tech people need the show by Monday in order to prep it for air Wednesday. How long will these changes take? Would love if you could online/FedEx tomorrow.

Feel free to call with questions. I will be skiing this weekend, but my assistant can help you with anything you need. I think we're getting really close...

RD